Why enter pitch contests?

Other than sheer masochism? They offer a slight shortcut to the usually long query process, they let you meet fellow writers and industry professionals, and they offer the chance to get agent offers and free feedback.

I’ve blogged before about some dangers and darker sides of online pitch contests. Now for a spotlight on the second valuable gift they offer: feedback and editing.

Very few people can write in a vacuum. We need feedback in developmental stages of a mms, and capable editing at the later stages.

Would-be self-published writers, do you know that it can cost between $1500 and $5000 for qualified professional editing of your mms? Most self-pub authors don’t bother, and it shows in the final product.

Many pitch contests offer author-peer and professional feedback, for free or a minor donation! Some offer the finalists or winners a few weeks to a couple of months of pro editing, as well as a final showcase to tempt agents and acquisition editors.

Sure, it’s a long shot, but why not try?

I just finished a rewarding and humbling experience: tightening up my smutty M/M space opera MORO’S PRICE, which is being re-released (in a heavily revised version) from NineStarPress this summer. I have an awesome editor, and I really need her skills. (So many mistakes!)

The experience made me look again at my newly revised high fantasy mms. It’s a better book that the version I shopped last year, but I know it needs editing.

So I’m bashing my head against the mostly-so-far-fruitless pitch contest scene again, and entering this mms in the upcoming Pitch 2 Publication melee.* I have a teeny chance at getting anywhere in that event, but I’ve got to try it.

Because even if I don’t snag an agent, I’ll get strong feedback. All the ‘unsuccessful’ contests last year, plus agent and editor feedback, led to my recent revisions and a much stronger book.

If I need to, I can then self-publish that book.

(I have been known to submit work to top SFF short fiction markets, just for their personalized rejections, for similar reasons.)

*Which has now been postponed and replaced with Revise & Resub.

 

When writing goes exceptionally well

I’ve been at a plateau for a while on the big fantasy project: polished, but not quite gleaming. This weekend, three things happened:

I wrote a decent pitch for an upcoming pitch contest.

Image result for ronan dance off GIF

I tightened the first chapter, and bridged new and old versions with really strong scenes. I forced more emotion into one character, and more agency into another.

Image result for maleficent cartoon GIF

Both beta readers on this project (who are neither lazy slouches nor easily won over) have given me their vast approval.

So even if the pitch contest doesn’t work, I’m far more confident about this book than in its previous versions. It’s not wasted effort, if it improves the manuscript.

The only catch: it all has to be done by Friday the 24th. That’s when the pitch contest begins…but more importantly, it’s when I have to start work on a major art project AND wrangle incoming edits for the brand new, shiny version of Moro’s Price (coming from NineStar Press this summer).