Painter 17, Alien Skin filters, and a fast snapshot of me trying on a recent creation.
I like how well Painter’s new Impressionist brushes work, and mimic how I’d do this in physical oils or acrylics.
While I still think it’s sort of ‘cheating’ to doctor photos with digital filters and sell the result, I can see why photographers do it. The processing power is so cheap and efficient now, that all you’re really out are your printing and framing costs.
Where digital filters really work for me: setting up physical paintings and mapping out brush strokes ahead of time. As I’ve mentioned before, having even a rough map cuts down on hours spent trying out one brush pattern over another.
Corel’s new digital arts platform Painter 17 is out now, and I’m fiddling around with it this week.
I finished this teaser art piece for the new version of Moro’s Price in about 30 minutes, and that was because I was slowly playing around with some of the new Artist’s Favorites brushes. I should have been able to do it in 15 minutes.
Of course, I’d already photographed the emerald-cut diamond myself, and long ago designed the palm tree insignia. But now it’s a useful bit of art that may or may not end up as a cover design, once I fiddle with it some more.
Painter 17 so far: gorgeous. Controls are more integrated and intuitive. Customizing brushes, filters, etc is much easier. The help menus make sense. Corel seems to finally be listening more to its coveted base: artists who have some real-world skill with drawing, painting, and mixed media, and who want to recreate those looks in digital media. (And go lightyears beyond!) I’m not alone in my esteem.
If you’ve ever waffled about buying Painter as an actual, real, not-Photoshop digital arts platform, this version is probably the best entry into the Painter world that I’ve seen in 20 years. It’s not cheap, but if you are a student, you might be able to score the more affordable Educational Version.