Valier, digital pastel, 8-26-2016

So, since I didn’t get Singer In Rhunshan into PitchWars (and knew it would be a longshot), I’m back to the revisions on Moro’s Price.

For those of you who didn’t know, the latter is a big space opera-ish M/M erotic romance set against a futuristic but by no means scientific background. When wrote it in 2011, I deliberately placed it into the far future of the Lonhra Sequence. Bits of ‘Firefly’, ‘Dune’, ‘Bablyon ‘5, and the Vorkosigan saga inspired it; since then, I’ve been watching ‘Killjoys’, ‘The Expanse’, and ‘Dark Matter’ intently for more inspiration.

I get to do crazy wonderful things to this book, now that I have it back from the original publisher. Fun things. Like substantially change the opening chapters, condense some of the dragging middle, and weave it better into Moro’s Shield, the sequel, and The Leopard of Saba, a spinoff novella set before and during Price.

It helps to know what people look like, while I write them. This round of revisions, I changed Valier Antonin, with slightly stronger facial features and curlier hair. Makes sense: his mother has major curls, and she’s the stronger genetic donor in the mix of people who made Val.

This isn’t the teenage Val I had been sketching, but the man in his mid twenties, when Moro meets him.

Val 2016 for blog