To keep my mind off #pitmad and to get ready for #revpit in two weeks, here’s another mood board I cobbled together for my high fantasy mms SINGER.
To keep my mind off #pitmad and to get ready for #revpit in two weeks, here’s another mood board I cobbled together for my high fantasy mms SINGER.
Other than sheer masochism? They offer a slight shortcut to the usually long query process, they let you meet fellow writers and industry professionals, and they offer the chance to get agent offers and free feedback.
I’ve blogged before about some dangers and darker sides of online pitch contests. Now for a spotlight on the second valuable gift they offer: feedback and editing.
Very few people can write in a vacuum. We need feedback in developmental stages of a mms, and capable editing at the later stages.
Would-be self-published writers, do you know that it can cost between $1500 and $5000 for qualified professional editing of your mms? Most self-pub authors don’t bother, and it shows in the final product.
Many pitch contests offer author-peer and professional feedback, for free or a minor donation! Some offer the finalists or winners a few weeks to a couple of months of pro editing, as well as a final showcase to tempt agents and acquisition editors.
Sure, it’s a long shot, but why not try?
I just finished a rewarding and humbling experience: tightening up my smutty M/M space opera MORO’S PRICE, which is being re-released (in a heavily revised version) from NineStarPress this summer. I have an awesome editor, and I really need her skills. (So many mistakes!)
The experience made me look again at my newly revised high fantasy mms. It’s a better book that the version I shopped last year, but I know it needs editing.
So I’m bashing my head against the mostly-so-far-fruitless pitch contest scene again, and entering this mms in the upcoming Pitch 2 Publication melee.* I have a teeny chance at getting anywhere in that event, but I’ve got to try it.
Because even if I don’t snag an agent, I’ll get strong feedback. All the ‘unsuccessful’ contests last year, plus agent and editor feedback, led to my recent revisions and a much stronger book.
If I need to, I can then self-publish that book.
(I have been known to submit work to top SFF short fiction markets, just for their personalized rejections, for similar reasons.)
*Which has now been postponed and replaced with Revise & Resub.
My compliments to the original stencil maker. I’d love to cite you but we both know that may not be safe.
Disclaimer: I’m making no money off this artwork. I do not advocate its use to deface public property, and I do not mean it to refer to or incite actual physical harm to Nazis, alt-right fascists, and their sympathizers.
There’s a lot of art uses for stencils, beyond vandalism. Something that Donald Trump may not grasp, but his conservative friends and Putin damn sure know.
Here’s the stencil, in vertical layout to fit more easily on a page. It’s saved as a JPG file, 150dpi at around 8″ high. Copy, share, enjoy.
Here’s my how-to thread, expanded slightly from Twitter:
1 If anyone wants to know how to cut this as a spray stencil, I can show you. *For art purposes, ahem*.
2 First, kudos to the original designer. I’d cite you but you might not want your name publicized.
3 Save image into Photoshop, Painter, or any illo program of your choice. Split image into 2 parts, enlarge each to fit 8.5×11 paper.
4 Print your design on regular 20lb bond paper. Use graphite paper or lightbox (or window) to transfer image w/ black Sharpie or other permanent marker.
5 Have cardboard or cutting mat (don’t cut on a surface you want to keep pristine!)
Use sharp X-acto craft knife to cut out black areas (cells) only. Don’t cut into white areas – those will be part of your stencil material.
If you haven’t cut stencils before, practice a bit first. When doing sharp corners, cut into the point from both sides – it helps control the cut and avoid over-cutting into the stencil material.
6 Or have a friendly laser cutter owner do this. Do not approach commercial sign printers unless they are
7 Make multiples if you need to. Different stencil materials have varied lifespans. Spray-varnished cardstock paper will do in a pinch, but I prefer thin stiff Tyvek (Try Yupo plastic watercolor paper!) or polystyrene craft stencil plastic. If you use raw paper, it can get clogged, distorted, or torn more easily. Also, it’s a lot harder to store between uses.
8 Set up a binder or notebook with waxed paper or plastic sleeves (slit down outside edge) or 1/2 page ‘pocket’ type. These will store your stencils between use. You may also need a reclosable plastic bag big enough to hold your binder (and maybe a canvas shopping bag for portability).
9. Other obvious and handy things are nylon (not latex!) disposable gloves to keep your hands clean, and 1″ masking tape to help hold down your stencil while you’re painting with it.
10. Choose your paint! Liquid acrylic can be daubed on with a short, stiff stencil brush, for a fuzzy outline on a canvas or paper piece. Paint pens come in oil-based enamel or water-based acrylic, and can fill small stencils quickly. Spray paint comes in oil-based enamel or water-based acrylic, and is the fastest method to get full coverage.
11 Pick your surface! Smooth canvas, paper, or other flat surfaces will give the crispest image, while rough surfaces may be hard to tape the stencil to, and give a ragged-edged image with uneven coverage. That’s okay: the human tendency to pattern-match means that even a rough-looking stencil will be easily deciphered and have an iconic charm.
12 Spray, pull off stencil, fold tape over edge or pull it off (and dispose of cleanly and discreetly!) Stow stencil in binder & paint can in shopping bag. Repeat as desired.
Here’s a molding paste stencil background used on linen, with a dimensional paint drawing overlay. Because phoenixes are cool and appropriate for rebellions and justice.
13 Stiff acrylic gels, either clear or buffered with pigment or white filler, can create molding paste plaster effects on flat art surfaces. (See my Phoenix sample above). Apply them with clean flat plastic or metal scrapers, fill in the stencil, scrape off the excess, and immediately pull up the stencil. This gives a low-relief design.
14 Hope this helps you artists out there, with a neat new trick for your skillset! I’ve been cutting stencils for 21 years, often commercially, and they’re amazing time-saving tools.
For more #Resistance stencil fun, here’s the Star Wars Starbird design I used on the back of my Legionnaire Pussyhat.
Character names and titles are important in fiction (duh!)
Different genres have different naming trends and types, if not outright rules. A clever writer can exploit or twist those, while a tone-deaf writer can suffer for them. Of course, it helps to read massively and currently in your target genres.
I have a perennial problem with names. Many of my characters go through name changes during their story’s evolution (Tel from ‘Bloodshadow’ has had five different names). Or they’re called by different names by different people or groups (Moro from ‘Moro’s Price, poor lad.)
Some characters will stubbornly keep their names, no matter what plotty bribes I throw their way.
I’ve got two naming problems right now, with two separate projects.
My editor felt uncertain about a 52nd Century character calling himself ‘Bill’, with a given name of William (which he hates, hence the nickname). Realistically, linguistic drift and culture changes should result in very different name structures.
But this is a smutty M/M space opera, not literary fiction with scholarly linguistic projection.
The character has good reason to go by a jaunty, unassuming nickname. So I left him as ‘Bill’.
I gave him an Eastern European version of ‘William’ that links back to part of his family’s heritage. He still hates it, because it makes him look even more like a rich mobster. And, like the rest of the book, it offers an indirect political comment on RL current events.
My second name problem is an honorific, a job title, a threat, and an insult…applied to one of the founding characters in my secondary-world high-fantasy Lonhra Sequence books. I’ve had this (mostly background) immortal character in his/her/their current form for over three decades. (What happens when you worldbuild as a hobby.)
That character’s given name changes often due to marriage and politics, but their title is a bedrock of Lonhran history.
Imagine my reactions when I read today about a new YA author using almost that same title in her fantasy book! After the initial jolt passed, I examined my problem logically.
I doubt she ‘stole’ it, even though my version has been trade-published since early 2012. The title is a combination of two common English language words. It’s likely many people have used it.
Could I use the Lonhra language version: Tilurak? It means the same thing. I like both, but the longer English version is more familiar and approachable for me.
If an agent or editor brings up the coincidence, I’ll have to explain and justify my reasons.
Until then, that character title stays.
The lesson for other writers? Names can be a battleground. Be prepared to fight for, alter, or jettison them as needed.
Technology is wonderful. Especially when bright but otherwise bored people say ‘Hey, these zirconium ceramic ball bearings and whetstones are nearly as tough as sapphire. I bet we could make jewelry out of this stuff!’
Jewelry wonks are already familiar with Cubic Zirconium, the relatively cheap and readily available diamond-substitute gem, usually faceted and sold either clear or colored to mimic other gemstones.*
Zirconium powder can also be purified and melted with binding agents into a tough, hard, opaque ceramic (the aforementioned ball bearings). I’ve seen the jewelry results in pieces from David Yurman ($1500) or Jona ($5000).
Recently, Fire Mountain Gems got some black and white zirconium ceramic jewelry components in stock. When they had a deep sale on the 29x16mm and 13x10mm oval links, I bought. That yielded 12 of the big links and 2 of the smaller ones. For less than I’d pay for a good cheesesteak sandwich at my local deli.
Combined with matte-finished black #11 seed beads in ladder-stitched links, fire-polished Czech faceted ovals, and black nylon thread, the zirconium ceramic links made this minimal 20-inch necklace with toggle clasp. I like how the polished ceramic links have the black glitter of hematite, but much less weight. (It’s as light as a fiber art piece, honestly, with more weight from the glass.)
*About 30 years ago, when Cubic Zirconium gems (CZ) really came onto the hobbyist market, there was a mail order scam trade run by several ‘jewelers’ who would convince people they’d ‘won’ a free CZ faceted gem, for a minimal shipping fee. They even had soap opera celebrity spokespeople, which should have been an instant warning.
Sometime between 1985 and 1987 I got a mailing from one of the companies. (I’ve taken it off web links because the owner’s apparently just got out of prison on racketeering charges, with a side of witness tampering. Typical GOP businessman, alas.)
Back then if you accepted the stone and the ‘cash winning opportunity’, you’d get hounded to buy their other products. I had a pretty good idea what was really going on, so I said ‘Sure, Redacted Jewelry Company, send me my genuine fine diamond simulant!’
What I got was a pretty nice 1 carat white faceted stone for the shipping cost (not much), and a massive sales pitch for their crappy gold or silver plated jewelry settings. Because most people even then weren’t silversmiths, or knew that real silver and vermeil (gold plated silver) findings were easy to come by and easy to set with a few basic tools. Redacted Jewelry Company and I had some more go-arounds while I talked them out of a few more CZ gems (Hey, cheap CZ!) before they finally gave up on me.
What to take from this? I love technology, and I really like this necklace. Also, every new product or service has scam potential…but if you know what’s happening, you can have a hell of a lot of fun with the scammers.
Or: faux inlay technique on wood.
I make artifacts and jewelry, along with book art and a ton of other largely useless but fun things. I belong to a loose-knit group of like-minded souls who, upon occasion, will make Harry-Potter-inspired magic wands as props and cosplay pieces.
This newest piece is made from a Blood Orange tree twig woodburned and painted, with a lanyard of braided waxed blue-gray polyester cord strung with Picture Jasper and Blue Lace Agate beads. The stick is about 14″ long and .75″ at its widest.
I’ve had the twig for 15 years. It came from a Blood Orange bonsai attempt that died at two years old. The corkscrew end is part of the root, and shows the stress on the tree. (I am never starting another bonsai again. It’s cruel, the tree equivalent of foot-binding.) I kept the dried-out little trunk because it was beautiful in its frozen misery, and a stern reminder of boundaries I shouldn’t cross again.
When I decided to make a prop wand from it, I stripped off the bark with a Dremel sander tip, then polished with successively finer sandpapers up to 600 grit.
I did the spiraling design on the twig freehand with a temperature-controlled woodburning pen with a chisel tip. That allowed me to sink deep, precise marks along the wood. The resulting resins got scrubbed off with 90% alcohol and an old T-shirt. This cleaned off the soot and oils that could otherwise retard paint and varnish. The stick looked like this…
Painting time! I mixed a blue/turquoise/gray acrylic paint slip and worked it into every burned line, then painted a layer over the whole stick. That got to dry for a day. I chose blue-gray because it’s a color out of a fantasy series I’m working on, and I want do do some book covers in this look eventually.
(I can imagine that an earthwitch out of my Lonhra Sequence books might use a version of this thing.)
With another old T-shirt and more alcohol, I rubbed off most of the paint, until the buttery-yellow bare wood showed and the burned lines were filled with blue-gray paint. Once that dried for another day or three, I sanded again with fresh 600 grit black wet-dry paper.
This leaves a general effect of bare wood + colored inlaid lines bordered with the dark brown burned edges of the design. Covered with an oil-based or clear resin varnish, the effect looks even more like inlay. I use this technique a lot on wood book covers, because it adds subtle, precise surface detail.
The lanyard is Gray 4-ply waxed polyester cord from Maine Thread Co, in a triple-strand braid. The tan/cream/brown Picture Jasper rectangular tubes came from a $4 thrift store necklace I found last week. From The 30-Year Stash, I already had tumbled nuggets of Blue Lace Agate with the right mix of gray-blue and white banding and tan matrix.
On pyrography: Some folks do woodburning on leather (I don’t like the smell, or the result, but that’s only my take on it.) You may not get as deep or as controlled a brand line as you might on wood. Be careful when scrubbing/sanding off the top layer, as you can ‘suede’ your leather accidentally.
If you want to try this look, you can use the regular hobbyist single-temperature ‘soldering iron’ type of woodburning pen. I’ve found that my variable-temp professional pyrography unit with multiple tips is an amazing drawing tool. It’s more than paid for itself in the decade-and-a-half since purchase.
What am I going to do with this wand? Hang it up to look at for a while, maybe sell it later. It’s a proof of concept. The value for me lay in the crafting, so I can apply the look elsewhere.
I’ve been at a plateau for a while on the big fantasy project: polished, but not quite gleaming. This weekend, three things happened:
I wrote a decent pitch for an upcoming pitch contest.
I tightened the first chapter, and bridged new and old versions with really strong scenes. I forced more emotion into one character, and more agency into another.
Both beta readers on this project (who are neither lazy slouches nor easily won over) have given me their vast approval.
So even if the pitch contest doesn’t work, I’m far more confident about this book than in its previous versions. It’s not wasted effort, if it improves the manuscript.
The only catch: it all has to be done by Friday the 24th. That’s when the pitch contest begins…but more importantly, it’s when I have to start work on a major art project AND wrangle incoming edits for the brand new, shiny version of Moro’s Price (coming from NineStar Press this summer).
A brief but long overdue update, on erotic romance publisher Samhain. After announcing their closure late in 2015, they regrouped in a flurry of activity over 2016.
But they’re closing for real at the end of February 2017, only a few days after releasing a last round of contracted books. Those first rights are burned, and how much will those authors earn now in less than a week of sales? I’ve seen new authors who actually submitted mms to Samhain over 2016, when many seasoned authors warned them off. Loyal readers are scrambling to back up their digital libraries.
The company had a good run over much of its eleven years. I’m sorry to see Samhain go, but wish they could have kept their first promises and folded more responsibly last year.
The death of the romance industry small presses…claims another round of victims.
Update 2-12-2017: In a move eerily like their announcement in 2016, Samhain announces it will retain a handful of employees and ‘wind down’ company sales to help satisfy customers. During this process, as rights come due, those will be reverted to the authors. Ready-to-launch books will still be sold. Uncompleted projects will be reverted.
Potentially, this means that a Samhain title released in late February of this year might not go out of contract for 7 more years…or by March of this year. We don’t know yet, because we don’t have a ‘lights out’ date for Samhain. A potential title (contracted but not ready for release as of February 2017) would be reverted this month to its author.
Now, this is just a year’s delay of closure, not long in the publishing world. Samhain is closing because of poor ebook sales. So it’s very likely those remaining Samhain authors are not going to see the sales levels they might have, from back in the company’s glory days. How much marketing and promo will Samhain do now, over how long the company winds down?
I still think it was irresponsible of Samhain to solicit and contract more authors between 2016 and 2017, but at least the company appears to have a plan in place.
If you love erotic romances and Samhain authors, keep buying while you can…and back up your digital library!
It’s done! It looks like this:
It started from an old beige cotton Dorfman Pacific Legionnaire Cap, bought at Popular Surplus when that was still around in AZ.
Around 2003, for a Halloween event, I put the cap into a salmon-pink dye bath. Then doodled some red fabric paint on it, and stitched a raggedy bit of cotton fringe to the bottom. The same fabric, salvaged from a thrift store woven skirt, made part of the hatband decoration. It was intended to have a vaguely fantasy/tribal/ethnic feel.
And then it sat in the costume stash for a decade or so. I picked off some of the more extravagant decorations for another project. I almost donated the cap last summer to Goodwill.
And then Trump won. Pussyhats became a thing. Now, I can’t knit, and my crochet was barely up to hat-level for the two lumpy pink hats I sent to the Phoenix Women’s March on 1-21-2017.
But I’m a costumer. I can sew. I remembered I already had a pink hat.
A couple of ear patterns later, some Beacon Fabric Adhesive, a lot of thread, beads, handmade tassels, more salvaged fabric, and many needle stabs later, I have a ridiculously glorious flaming beacon of a Pussyhat.
Which I will be wearing in public, thank you. Maybe I can draw fire for some younger revolutionaries.
I’m also very happy with the Rebel Starbird applique on back, in seafoam green ultrasuede with coral-red glass bead accents.
We miss you, Carrie Fisher. #Resistance
If anyone wants a pattern, I don’t have a complete one – I had to change my patterns so much I’d have to re-engineer the ears.
I can tell you that sewing the ears separately with some stiff interfacing inside worked really well. Just sew inside-out while catching the very edge of the interfacing, flip right side out, turn in the bottom edge, and sew some reinforcement seams. Fold the ears to get the shape you want, then tack half an inch or so along the lower edge of the ears to lock that fold in place.
Then use Beacon or another ‘permanent’ high-tack fabric adhesive to baste the ears into place. Every cap will have a slightly different brim/crown geometry, so the curled-into-the brim look of mine was a happy accident.
After the glue has set, come in and secure all seams with same-color thread worked through the cap fabric. (I never rely on glue alone.) I frayed some bright pink linen strips to line the ear bases front and back, to give more hot-pink tones to my salmon pink cap.
There’s a long-term advantage to designing around and between trends. Certain themes/colors surge and fade in the fashion world. An ice-pink dress I made nearly 20 years ago? Now back in style as a wrap, with a few tweaks. This vivid salmon/red/turquoise theme, that I started at least 13 years ago? Had a flare-up about a year ago.
I’ve seen these Cici Espadrilles from Maurice’s before, but my local thrift outlet got a pair my size for much less than the $24 retail price. They’re a perfect match. I’m not entirely sure I didn’t design the Legionnaire Cap around this very colorway, based on murky memories of the Cici shoes from over the last year or so. And it doesn’t really matter. Added to the salmon pants and shirt I already have, I’ve got an absurdly bright outfit.
Toddler Grandma Insurgency, anyone?
My friend A. G. Carpenter and the great people at Falstaff Books have released ‘Of Shade and Soul’, the second novella in her Southern gothic ‘Touch’ trilogy.
Delaney Green might be dead, but she don’t mean to stay that way. As she searches for a way back to the realm of the living, and the man she lay down flesh and bone for, Percival Cox and his team investigate a series of deaths and stolen souls. But Percy is not the man he used to be. If Del can’t find a way to stop him from waking his past, he could destroy everything, including himself.
This is a powerful continuation of the first book (I was honored to read both in their beta stages and final form). The final product is worthy of a Poe award. If you like moody Southern gothic, horror-fantasy, magical realism with a languid air of magnolia and burnt blood…this is your trilogy. Come read it here:
A test piece from circa 1991, made with scrap linen, plain old paraffin wax, acrylic dyes, a lot of cheap paper towels and a thrift-store iron, and a design borrowed from Balinese carvings and an amaaaazing Chinese celadon vase (Thank you, ASU West Library).
I’m posting it because it’s fun, fierce, and there’s only so many times a day I can poke at Donald Trump.
While I was digging this piece out of storage, I ran across another old hall costume orphan: a cotton muslin Legionnaire’s cap with backflap. In a fit of madness one year in the Aughts, I dyed bright salmon pink for a Halloween stunt, then stuck a camel’s worth of fringe and beads on it. A few years later, some of the adornments came off, to be stitched on something else. I almost donated the piece to Goodwill last year.
“Hey self,” I said while eyeing the cap’s possibilities. “It’s PINK.” I have fabric in matching and complementary shades, and another camel’s worth of more fringe and beads. I have a whole outfit the same color, heh heh.
I think it can be turned into a spectacular PussyHat, and I can make others out of the scraps.
There are rumblings across social media, that, since The Donald seems afraid to release his tax returns; that the Women’s March on Saturday seemed to really piss him off; and that many of us just like banging on cages…we might be aiming to march again on Saturday, April 15, just before the US Tax Day.
Earlier in March (TBA), a lot of angry scientists are planning a march of their own.
Will you join us?
So apparently there were at least three times as many people protesting Trump in Washington, D.C. Saturday 1-21-2017 than attended Trump’s inauguration the day before. The National Guard has confirmed it the largest single-location protest in American history. If you count all the *other* protests in the US and worldwide, participation numbered in the millions.
This would be moderately interesting, if not for Trump’s thin-skinned, totally size queen reaction.
Trump Twitter and Facebook armies immediately explained it was because *their* people had to stay at home and work at jobs, like responsible adults.
The Department of the Interior had its social media accounts frozen Saturday, after someone there tweeted comparisons of the crowds for Trump’s inauguration, and Obama’s two ceremonies. Hint: Trump’s crowd was far more sparse.
On Saturday, Sean Spicer trotted out to do a hasty press conference…claiming the media inaccurately showed Trump’s crowd. Then Spicer flat out lied about the size of Saturday’s protest, spawning instant comparisons to Baghdad Bob.
Because the National Park Service no longer provides ‘accurate’ counts of crowds (due to backlash), we have only indirect metrics to estimate the difference in crowd sizes. Days before both the inauguration and the Women’s March, we knew that organizers had applied for around 200 bus parking permits for Trump’s shindig, whereas Women’s March organizers had applied for at least 1,200 bus permits. Every indication is that those buses were full, too.
The DC-area transit authority reported that on Friday, January 20, approximately 193,000 people rode the Metro system as of 11am. The crowds for Saturday were estimated to be at least three times that, around 470,000 people.
The reason WHY this important?
It shows the level of engagement of really angry people, who feel that the new administration is corrupt, venal, rent-seeking, ignorant, and illegitimate. Who fear the loss of hard-won civil rights. Who fear the devastation even know showing from global climate change.
Trump is entering office as the most unpopular President of the United States in four decades. He barely won the Electoral College votes, and that was because of antique apportionment rules that give more sparsely populated rural areas more voting power than urban areas. He lost the popular vote by at least 3,000,000.
He has no ‘national mandate’ and he knows it.
‘Alternate facts‘ are lies.
Crowd-size arguments show how truly thin-skinned Trump & Co really are. Their unpopularity is a yuuuge problem for them, a soft target, and they know that, too.
Trump has no depth of character: his only personal metrics are his apparent wealth and ratings. Trump’s own ego is the biggest trap awaiting him. It forces him to engage in constant damage control against the slightest insult from the smallest source. Obama was, in many respects, the too-calm ‘Shake It Off’ President, and comedy routines spawned around how much we wanted to see him get angry (The Rock Obama).
Trump & Co shown that any pushback on their perceived popularity hurts them, which just shows us where to strike. Maximum impact! Show up at marches. Ding Trump & Co on social media. Start organizing at local levels, and learn from the Tea Party’s exasperating tactics. Support at least one actual news outlet with a subscription. Call out fake news when you see it. Punch Nazis whenever you can. Resist the normalization of fascism.
Remember that the last time we had extremely large protests against a President, Watergate happened and Nixon was forced to resign a year later.
Just so we’re clear.
This guy is not heroic, he’s not smart, and he’s not honorable. He got where he is in life by being the exact opposite of those three qualities. He’s gold-plated pewter proof that if you have enough money, you can steamroll your way through life, aided by people who want to scamper after your crumbs.
He didn’t win the popular vote, and he’s the most unpopular President-Elect in 40 years. He’s also a patsy.
I’ll quote again from a joke I heard on Twitter: ‘There’s a new fable going around. You heard about the scorpion who hitches a ride across a river by riding on a frog’s back, and halfway across makes America great again?’
The really sad thing is that a majority of the people who voted for him, are going to be the ones hurt by the misguided and rapacious actions of his administration.
The first necklace with my mini-landscape pendants on stone. I might be playing with gold-filled chains for an even more (for me) minimal look. But for now, this will do.
Materials: black stone pendant, black polyester waxed cord, Toho glass seed beads, India lampworked glass beads, acrylic paint, bronze leaf, varnish.
Necklace adjustable from 15″ to 26″.
Painter 17, Alien Skin filters, and a fast snapshot of me trying on a recent creation.
I like how well Painter’s new Impressionist brushes work, and mimic how I’d do this in physical oils or acrylics.
While I still think it’s sort of ‘cheating’ to doctor photos with digital filters and sell the result, I can see why photographers do it. The processing power is so cheap and efficient now, that all you’re really out are your printing and framing costs.
Where digital filters really work for me: setting up physical paintings and mapping out brush strokes ahead of time. As I’ve mentioned before, having even a rough map cuts down on hours spent trying out one brush pattern over another.
This is Adelaide, named for the charming little boutique that used to employ her.
She’ll look a bit different when I’m done with her upgrades.
If I’m going to do more wearable art and large-scale jewelry, I need a dressform!
A few months ago I scored some carved black stone pendants. A little research into painted shell and stone (resulting in a LOT of humility), I had a film hardener recipe for acrylic paint. And many ideas.
These are the first test batch with bronze leaf accents. Each is about one inch high. Once I decide how to string them, the finished necklaces will be for sale on my page at SaatchiArt and another platform.
I’ll do an Etsy Showcase soon on how the real professionals paint miniatures on stone and shell.
My debut novel MORO’S PRICE, a M/M space opera erotic romance, was first published in 2012. I’m pleased to announce that a newly revised version will be coming soon from NineStar Press.
If you liked the original version, I think you’ll love this one.
If all goes well, you’ll also be seeing the direct sequel to MORO, as well as a spin-off M/M novella featuring two side characters.
Thanks for your patience and support!
I could almost get away with the stub listing ‘It sucked’.
The many and varied ways 2016 achieved maximum suckage will be studied in later history (if there is anyone left alive to study it). I’m not raising my blood pressure detailing those slings and arrows tonight.
Instead, I want to talk about good things.
I’m still alive. Most of my family and dearest friends are still alive. A very good friend survived serious career and health setbacks. I am loved and cherished, which is awesome and humbling.
I eased away from one publisher this year, and gave another new one a chance. In art, one venue I thought moribund is actually turning lucrative, while I’ve dropped another before it cost me too much to recover from. My writing struggled out of a lazy plateau and improved dramatically. I have a wealth of art, jewelry, and writing projects to address, and just enough skill to reach them.
I have goals for 2017, and far less fear about them than I would have thought, a couple of safe and happy years ago.
So for my readers and anyone stumbling onto this post: I hope you have a sane, healthy, happy, productive, humane, and triumphant new year.
Endure. Live. Thrive. Resist.
As if 2016 hadn’t sucked badly enough before this, December saw news that two more publishers were going under with messy implosions. In both cases, authors and readers were left hanging.
Torquere was a small erotic romance publisher once reasonably respected, but torpedoed by mismanagement over the last few years.
The bigger news a few days ago: the abrupt dissolution of AllRomance Ebooks/OmniLit. This was a digital ebook sales platform that had just branched into direct publishing. For other publishers, ARe/Omni had thousands of titles across many genres, from Big Five houses to small independents and self-published authors. (I even had a spot on ARe, in prep for my future self-pub efforts.)
I lost a few dollars from sales of Maestro this last quarter, I’m sure. I know other authors who estimate they’ve lost $10K or more. Follow the link for more news about this crash (which may have less to do with financial losses than graft and fraud.)
Torquere’s troubles, we knew about at least half a year. The ARe debacle had hints of trouble a few months ago for some authors, but most of us never saw it coming.
We don’t like to see Amazon as the only outlet. For many of us, ARe was the next biggest earner, and its loss will ripple across the romance genre.
Welcome to the future, I guess.
Update 1-2-2017: The AllRomance/OmniLit sites have vanished now, like a once-vast city buried in lava. I remember how big those sites were, especially to romance. It seems surreal that they’re gone.
More disquieting are the hints and rumors of continued odd behavior from Lori James, and the realization that ARe/Omni were on shaky foundations at least two years ago. The good news is that Big Five publishers will almost certainly file suit, but that won’t help the small presses and individual authors also dragged down.
I’m no lawyer or publishing professional. My sense, from listening to people who are: look closely at your publisher. Try to determine if they’re responding quickly and responsibly to these debacles, and to shifts in the larger publishing world. If not, you might want to pull back or get out while you can.
There will almost certainly be small publishers who will lose large amounts of money from what Lori James owes. Some will lose more money trying to pay their authors’ ARe/Omni royalties out of pocket. Some won’t pay, or will only pay the 10% they might get. Either way, some of these publishers won’t survive the financial hit or the exodus of angry authors. If you love your publisher, rally around and help…but be willing to take the risks, too.
As a reader, the most important thing you can do for the writers you love: leave online reviews. Wherever you buy a physical or ebook, give an honest review. Don’t randomly gush 5-star reviews…put some thought into them. Why did you like the book? Why not? Even a guarded 3-star review can have great positive effects; even a negative review can spark the interest of other readers.
Digital books can make an author’s backlist accessible. But no one will buy that backlist if they don’t know it exists. So review!